It stands among an exclusive group, including Van Gogh's Starry Night (1889), Picasso's Les Demoiselles d'Avignon (1907), and Matisse's Red Studio (1911), comprising the quintessential works of modernist experiment and lasting innovation. The significance of Munch's The Scream within the annals of modern art cannot be overstated. In a sense similar to his near-contemporary, Vincent van Gogh, Munch strove to record a kind of marriage between the subject as observed in the world around him and his own psychological, emotional and/or spiritual perception.The frequent preoccupation in Munch's work with sexual subject matter issues from both the artist's bohemian valuation of sex as a tool for emotional and physical liberation from social conformity as well as his contemporaries' fascination with sexual experience as a window onto the subliminal, sometimes darker facets of human psychology.Thus his drawings, paintings, and prints take on the quality of psychological talismans: having originated in Munch's personal experiences, they nonetheless bear the power to express, and perhaps alleviate, any viewer's own emotional or psychological condition. Munch intended for his intense colors, semi-abstraction, and mysterious, often open-ended themes to function as symbols of universal significance.This powerful matrix of chance tragic events and their fatalistic interpretation left a lifelong impression on the young artist, and contributed decisively to his eventual preoccupation with themes of anxiety, emotional suffering, and human vulnerability. Edvard Munch grew up in a household periodically beset by life-threatening illnesses and the premature deaths of his mother and sister, all of which was explained by Munch's father, a Christian fundamentalist, as acts of divine punishment.In keeping with these motifs, but moving decidedly away from their decorative applications, Munch came to treat the visible as though it were a window into a not fully formed, if not fundamentally disturbing, human psychology. Munch came of age in the first decade of the 20 th century, during the peak of the Art Nouveau movement and its characteristic focus on all things organic, evolutionary, and mysteriously instinctual. Following the great triumph of French Impressionism, Munch took up the more graphic, symbolist sensibility of the influential Paul Gauguin, and in turn became one of the most controversial and eventually renowned artists among a new generation of continental Expressionist and Symbolist painters. He expressed these obsessions through works of intense color, semi-abstraction, and mysterious subject matter. Edvard Munch was a prolific yet perpetually troubled artist preoccupied with matters of human mortality such as chronic illness, sexual liberation, and religious aspiration.

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